MUSE LOG: Aleatoric and Political Surrealism in the Age of the Internet    
 Aleatoric and Political Surrealism in the Age of the Internet0 comments
picture9 May 2003 @ 20:29, by Quidnovi

aleatory and aleatoric - Composition depending upon chance, random accident, or highly improvisational execution, typically hoping to attain freedom from the past, from academic formulas, and the limitations placed on imagination by the conscious mind (...)
Aleatory was also employed by numerous twentieth century avant-garde artists. Followers of the Dada and Surrealism produced numerous examples. Jean Arp (French, 1887-1966) made collages by dropping small pieces of paper onto a larger piece, then adhering them where they landed. André Masson (French, 1896-1987) and Joan Miró (Spanish, 1893-1983) allowed their pens to wander over sheets of paper in the belief that they would discover in those doodles the ghosts of their repressed imaginations. Similarly, Tristan Tzara (Rumanian, 1896-1963) created poetry by selecting sentences from newspapers entirely by chance.
---Artlex on Aleatoric




And now this! Take a look at the caption on that AOL snapshot .
This one could have made it under Surrealist Games into the RU Game category:

Yup folks, you got it, Aleatory has crossed the bridge to the 21st Century and here comes "Cybernetic Dadaism"---remember you heard it here first!

The Muse wishes that it could also have taken credit for coining the expression, "Political Surrealism" but sadly The Muse was beaten to it (What can I say, we can't always win.) As it turns out, Salvador Dali, who was way ahead of his time had foreseen it all, some 70 years ago already:

I believe the moment is at hand when, by a paranoiac and active advance of the mind, it will be possible (simultaneously with automatism and other passive states) to systematize confusion and thus to help to discredit completely the world of reality.
----Salvador Dali (1930)


And Hart Seely who apparently has an eye for poetry was already on to it, I quote:

"Rumsfeld's poetry is paradoxical: It uses playful language to address the most somber subjects: war, terrorism, mortality. Much of it is about indirection and evasion: He never faces his subjects head on but weaves away, letting inversions and repetitions confuse and beguile. His work, with its dedication to the fractured rhythms of the plainspoken vernacular, is reminiscent of William Carlos Williams'. Some readers may find that Rumsfeld's gift for offhand, quotidian pronouncements is as entrancing as Frank O'Hara's."

So, anyway, the poems that follow are the exact words of the defense secretary, as taken from the official transcripts on the Defense Department Web site.

The Poetry of Ronald Rumsfield

The Unknown

As we know,
There are known knowns.
There are things we know we know.
We also know
There are known unknowns.
That is to say
We know there are some things
We do not know.
But there are also unknown unknowns,
The ones we don't know
We don't know.

—Feb. 12, 2002, Department of Defense news briefing


Glass Box

You know, it's the old glass box at the—
At the gas station,
Where you're using those little things
Trying to pick up the prize,
And you can't find it.
It's—

And it's all these arms are going down in there,
And so you keep dropping it
And picking it up again and moving it,
But—

Some of you are probably too young to remember those—
Those glass boxes,
But—

But they used to have them
At all the gas stations
When I was a kid.

—Dec. 6, 2001, Department of Defense news briefing


A Confession

Once in a while,
I'm standing here, doing something.
And I think,
"What in the world am I doing here?"
It's a big surprise.

—May 16, 2001, interview with the New York Times


Happenings

You're going to be told lots of things.
You get told things every day that don't happen.

It doesn't seem to bother people, they don't—
It's printed in the press.
The world thinks all these things happen.
They never happened.

Everyone's so eager to get the story
Before in fact the story's there
That the world is constantly being fed
Things that haven't happened.

All I can tell you is,
It hasn't happened.
It's going to happen.

—Feb. 28, 2003, Department of Defense briefing


The Digital Revolution

Oh my goodness gracious,
What you can buy off the Internet
In terms of overhead photography!

A trained ape can know an awful lot
Of what is going on in this world,
Just by punching on his mouse
For a relatively modest cost!

—June 9, 2001, following European trip


The Situation

Things will not be necessarily continuous.
The fact that they are something other than perfectly continuous
Ought not to be characterized as a pause.
There will be some things that people will see.
There will be some things that people won't see.
And life goes on.

—Oct. 12, 2001, Department of Defense news briefing


Clarity

I think what you'll find,
I think what you'll find is,
Whatever it is we do substantively,
There will be near-perfect clarity
As to what it is.

And it will be known,
And it will be known to the Congress,
And it will be known to you,
Probably before we decide it,
But it will be known.

—Feb. 28, 2003, Department of Defense briefing


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