jazzoLOG - Category: Dreams    
 Hope7 comments
16 Mar 2008 @ 11:12
I know what the great cure is: it is to give up, to relinquish, to surrender, so that our little hearts may beat in unison with the great heart of the world.

---Henry Miller

Wonderful! Wonderful!
New Year's morning
in the house where I was born.

---Issa

For the raindrop, joy is in entering the river.

---Ghalib

I thought Friday was particularly black. I envisioned it being called Black Friday someday. The bottom was dropping out of the American and world economy. Had anyone even bothered to construct a bottom for it? To save the day the Fed was starting to bail out greedy banks again...and using our taxes to do it. China was killing the marchers in Tibet. Bush overruled the Environmental Protection Agency, even in its pathetic weakened state, to benefit coal-fired power plants and other industries that emit ground-level ozone that gives us smog. I sent out and posted Tom Toles' cartoon for that day showing Uncle Sam in bed with a barrel of oil and oozing extra excitement at how expensive "she" was. It was a black day dawning.

I began to get replies to the cartoon from resonating friends. Reid Sinclair, a lecturer in management systems at OU and active Episcopalian in Appalachian ministries, sent me a copy of a letter from his brother-in-law in Houston. It so happens the man is none other than the esteemed Rolfian analyst Nicholas French. He was sharing the dour forecast of a close friend of his named Jim Swayze. I thought if these guys can feel bad too, I must not be completely out of synch.  More >

 Making The Best Of The Toxic3 comments
30 Jan 2008 @ 10:27
There is pleasure in the pathless woods,
There is rapture in the lonely shore,
There is society where none intrudes,
By the deep sea, and music is its roar.
I love not man the less, but nature more.

---Lord Byron

In my middle years I became fond of the Way
And made my home in the foothills of South Mountain.
When the spirit moves me I go off by myself
To see things that I alone must see.
I follow the stream to the source,
And sitting there, watch for the moment
When clouds rise up. Or I may meet a woodsman;
We talk and laugh and forget about going home.

---Wang Wei

To establish ourselves amid perfect emptiness in a single flash is the essence of wisdom.

---Dhammapada Sutra

The photo, taken by my daughter Ilona, is of the toxic iron/aluminum mix constantly flowing out of an abandoned coal mine at Snow Fork, Ohio. Snow Fork is the most heavily polluted stream in the Monday Creek watershed. A look at what it takes to clean it up is at this pdf [link] .

When the company moves on to---uhhh, greener pastures and meadows, it seems as if the taxpayer gets handed the bill for cleanup and care for displaced workers. I don't know who thinks this is such a great system. I know there's nobody cheerfully cleaning up any mess I may leave out from day to day. But then, I guess I don't provide wages to people for jobs that create my mess. I guess that must be the secret of success and wealth.

I suppose there are some companies that clean up the mess, and maybe even do it out of gratitude to a community that provided workers---rather than for a tax incentive. But the coal companies didn't in Appalachia, and the people left behind, many lured from homes elsewhere, sometimes struggle for generations to get back on their feet. That people eventually drink the water from Snow Fork is a testament to what can be done---but it's costly.

In other areas where coal was king around where I live, people are turning their legacies into historical projects. At New Straitsville, there's a cave where disgruntled workers huddled to form a union, and the United Mineworkers was born. Now there's a park and museum at the beautiful site. Inside you can learn about a misguided job action that purposely set a fire in the mine 125 years ago, and it's still burning today.

Up the road apiece at Shawnee, a place that once was a boom town is rebuilding. Grants are needed and slowly they are gathering. The architecture at Shawnee is unique and amazing, but the town is very poor and first the people need to become inspired. An astonishing theater at Shawnee is being restored, but it takes years and hundreds of thousands of dollars to do something like that. If it gets done it will be a showplace for the whole region. The owners run a giftshop across the street, and you should stop by.

These are a couple of the towns of a ravaged area becoming known as the Little Cities of the Forest...or of the Black Diamonds. Chunks of coal used to be called black diamonds when they were the main fuel of US industrialization. Since the State ended up with a lot of the land, Ohio has established state forests these past 70 years for recreation and hiking. The museums and restorations are coming along as people regain the pride they have for these towns, many of them built by the companies but now Home for 3 generations.

In neighboring Pennsylvania we hear about another approach. Erik Reece, who teaches at the University of Kentucky, has written about radical strip mining over the last few years. Most people in coal country know his name by now, because he has brought so many Appalachian problems to national attention. He has a new article in the current issue of the Orion magazine, and it's about turning the mess into art...which transformation takes quite a stretch~~~  More >

 A Mournful Thanksgiving5 comments
25 Nov 2007 @ 11:18
Space and Time! now I see it is true, what I guess'd at,
What I guess'd when I loaf'd on the grass,
What I guess'd while I lay alone in my bed,
And again as I walk'd the beach under the paling stars of the morning.

---Walt Whitman

Even if our efforts of attention seem for years to be producing no result, one day a light that is in exact proportion to them will flood the soul.

---Simone Weil

There is no end to the opening up that is possible for a human being.

---Charlotte Joko Beck

The painting by John Schutler is Home to Thanksgiving, published 1867 by Currier and Ives.

I'm sure Americans gathered around their tables on Thursday, grateful for companionship and family...but uncertain how far the "commonwealth" spreads anymore. What we still can hold in common, even the values, seems up for grabs from all sides. Conservatives talk about compassion, but the world they live in resembles the cave and Hobbesian misery.

At more than a few Thanksgiving dinners, probably the name Scott McClellan was mentioned. He was the cute press link to the Oval Office for 3 years, dancing around questions daily. Much of what he had to do was keep things secret. We're at war and only Commander Decider can know...or the case is in litigation and it wouldn't be proper to comment...or Congress is investigating and we'll see what they find out. On April 21st next year a book by McClellan will be published, entitled WHAT HAPPENED: Inside the Bush White House and What's Wrong with Washington. Probably nobody would have noticed this coming event had not its distinguished publisher, PublicAffairs Books, put an excerpt bombshell on its website:

"The most powerful leader in the world had called upon me to speak on his behalf and help restore credibility he lost amid the failure to find weapons of mass destruction in Iraq. So I stood at the White house briefing room podium in front of the glare of the klieg lights for the better part of two weeks and publicly exonerated two of the senior-most aides in the White House: Karl Rove and Scooter Libby.
"There was one problem. It was not true.
"I had unknowingly passed along false information. And five of the highest ranking officials in the administration were involved in my doing so: Rove, Libby, the vice President, the President's chief of staff, and the President himself."
[link]

The item really hit the news the day before Thanksgiving, and so there were whispers and hushed tones midst the dressing and drumsticks Thursday. What will happen? Will anything happen? Why do we feel like conspirators with such talk? Is this East Germany before the Wall came down..or is this the Free World? Why does the war machine roll on, looting the Treasury, robbing us blind? In a column on July 6, 2007, Joe Galloway asked why the Bush administration "looks remarkably more like an organized crime ring than one of the arms of the American government?" It must be fear that silences the nation. Cat's got our tongue.  More >

 A Year Without Tagliabue19 comments
1 Aug 2007 @ 13:19
All of us are watchers---
of television, of time clocks,
of traffic on the freeway---but
few are observers. Everyone is
looking, not many are seeing.

---Peter M. Leschak

You ask why I live in the mountain forest,
and I smile and am silent,
And even my soul remains quiet:
It lives in the other world
Which no one owns.
The peach trees blossom.
The water flows.

---Li Po

My nature is subdued
to what it works in,
like the dyer's hand.

---William Shakespeare

Amid hectic preparations for a move to Providence, Rhode Island, Professor of English Emeritus John Tagliabue---the muse of Bates College for more than forty years---and his wife, Grace, took time out for portraits by Phyllis Graber Jensen in the garden of Muskie Archives. The caption, a fragment from a poem in John's book New And Selected Poems: 1942-1997, reads "...a breeze hails our way,
we lift our sails;
we hold on to each other for dear life." (Bates Magazine, Spring 1998)

And so a year has gone by. A year without friend and poet John Tagliabue. A year without Tagliabue and the sun has shined its radiance with slight dimness. Music of the spheres has played less sparkling. The dancers whirl without shout. His death last year was certainly at his time, but it has meant a year without my teacher pushing me closer to the edge.

Besides a flutter of poems tumbling out like petals from blossoms, his letters and conversation always contained what books to read. He urged them as he did his assignments, shrugging off your foolishness if obviously you didn't read them. There were exhibits at the museums and he would tell you. Dancers and actors on the boards, and he needed to share with his own advertisements. There were foods and people from so many countries to visit. Be sure to have pad and pencil for jotting down impressions of human scenes on the train.

One time, when I was a junior at Bates College, where he taught and I learned, he decided he wanted to see Martha Graham dance in New York. It might be her very last time. We were in Maine. John had a car but he never learned to drive. Refused to. Usually his wife Grace took him somewhere he needed to be, but for some reason this time he asked a few of us students if we wanted to drive him. And we'd see La Martha of course.  More >

 Death Of A Bebop Wife4 comments
8 May 2007 @ 08:58
In the photo Grange boards plane to meet Al. (1960)

Death Of A Bebop Wife
by Grange (Lady Haig) Rutan
Published by Cadence Jazz Books, Redwood NY 13679
[link]

The modern pianist has a very special relationship with his drummer and his bassist. As his instrument has hammers, it resembles the drums; and as it has strings, it's like the bass. His position in the rhythm section is more detached, and more ambiguous than that of his partners, the bass and the drums. If he feels like it, he can stop playing for a few bars and let the bass define the harmony and the drums ensure the rhythm. He can suggest new harmonic directions, fall into step with a soloist, then break away a moment later. On again, off again. He opens or he closes. He's present at the heart of the rhythm, then suddenly he's gone.

---Laurent De Wilde
from chapter 5, p. 21

There's a scene in Grange Rutan's long-awaited book about her first husband Al Haig in which the legendary piano player introduces his young bride to Miles Davis. The men had played together with Charlie Parker in the tumultuous beginning years of bebop, and Al was pianist on one of Miles' Birth of the Cool sessions. By the summer of 1960, Miles Davis was packing in crowds at the Blackhawk in San Francisco, but Al Haig was scuffling for work. After turning down Miles' urgent invitation to sit in with the band, Al sheepishly confesses he and Grange have no place to sleep. Without hesitation, Miles reaches into his pocket and hands Al Haig the key to his dressing room. It was there, on a stained mattress in a shabby back room of a nightclub, the couple consummated their marriage. The bride looked brave, despite 2 black eyes.

Much about jazz, its artists, its working conditions, its devoted followers, and both the generosity and freakouts, is revealed in that passage. There have been many books written about the history of the music, including the death-defying years of bebop, but here's one long overdue from the perspective of a woman who loved a man who created some of it. And Grange Rutan goes beyond her own marriage of 2 1/2 years with Al Haig, into his next marriage which that girl did not survive. Rumors of murder persist to this day, and Grange presents her view as to whether Al could have done it.  More >



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